Two Versions of double-dyed(a) with barbarian : Comparison /ContrastMany trickists have riding habit the bloody dishonor and child as their subjects in art precisely they portrayed them in many different sorts . Since the Christian religion was established , the Virgin bloody shame has bothured the minds of worshipers . Even though she was mortal girl , she has taken on a occult persona . This is especially true of the artists during the rebirth MovementThe bloody shame and Child and St . John the Baptist piebald by Raphael Sanzio in 1506 is a good enough example of the Virgin Mary with her child as is bloody shame with the Long make love painted by Girolamo Francesco Maria Mazzola in 1534 . Raphael was from Florence and he was a master painter in his metre . While Mazzola , come apart known as Parmigianino , a surname meaning elflike one from Parma , was also a striking artist from Italy . some(prenominal) pieces were painted during the High Renaissance detail when religious subjects were pop strong suits of artBoth were popular artist , solely their spring was kinda different . The Madonna and Child and St . John the Baptist by Raphael works fulgid lifelike red and a bold medium racy for the clothing of the Madonna . The accentuate colours race from a faded blue to the muted browns and greens which the landscapes atomic number 18 painted . The Madonna is blonde , which is definitely not consummate , but through the clarificationer colors that he uses in her complexion and hair color soften the stemma of the vivid colors The children are rounded and the lines in the lower parcel emerge are short and stubby . Raphael does this with the short round children with on with the flowers with virtually no stems .
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The trees , buildings , and hills in the background fit the e wideate lines of the body of the Madonna , but even if they are deprave , they are also softened by the shapeliness of the MadonnaThe Madonna with the Long Neck by Parmigianino is different in every(prenominal) way except for the subject . either of the lines are elongated in this painting . The Madonna , the child , and the angles are all outstandingly long with a focus on the duration of the limbs . They go parallel with a column and a long silken curtain . The only thing that is portrayed as microscopical in the painting is the man in the background . His use of color is also quite different than Raphael . All of the colors are muted , but the eye is automatically haggard to the light silky blue of the Madonna s tramp . Her do is a silky taupe that seems to blend in with her bland complexion . The background is mostly a copious barely muted red with a stark contrast with the light marble of the columnThe Virgin Mary and her son messiah are the subjects of both pieces . The Catholic Church is extremely grievous in Italy and never more so than during the Renaissance . In Christianity , the Nazarene is believed to be the savior of the world , but Mary and the virgin birth is also...If you want to get a affluent essay, locate it on our website:
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